Tuesday, 6 November 2012

Ghana loses GHC420 million annually due to poor sanitation.....









 
 
Poor sanitation costs Ghana 420 million Cedis each year, equivalent to US$290 million, according to a desk study carried out by the Water and Sanitation Program (WSP). This sum is the equivalent of US$12 per person in Ghana per year or 1.6% of the national Gross Domestic Product (GDP). The costs of poor sanitation are inequitably distributed with the highest economic burden falling disproportionately on the poorest. This study provides an estimation of economic impacts on populations without access to improved sanitation in order to provide information on the losses to society of the current sanitation situation. While not all these economic impacts can be immediately recovered from improved sanitation practices, it provides a perspective on the economic gains that are available to countries through a range of policies to mitigate these impacts over the longer term. Underlying data sets to estimate economic impacts are weak; the study therefore uses objectively verified data sources and conservative numbers to estimate economic impacts. Several impacts have been excluded due to lack of data. Therefore the total costs of poor sanitation in this report are likely to be a significant under estimate.

Source: http://documents.worldbank.org/curated/en/2012/03/16230706/ghana-loses-ghc420-million-annually-due-poor-sanitation


Paulina Opoku-Gyimah says: Mercy!!!!!! I remember a hundred years ago when my father started building his house back home in Accra, Ghana -and we got talking about the plans, the layout etc etc -and then came a piece of news that shocked and rocked me to my core!!!

In passing my father mentioned a tank (I don’t think he called it man hole -but he might as well have for all the horror this tank thingy filled me with).. -And this tank will be where all the [human] waste will go [and sit/gather] after we flush the toilet (????).

I must have exclaimed, shouted out or whatever because my father felt the need to explain this hideous piece of news -further. And further and further…

“So you mean to tell me that even though you are building this beautiful (and very, very, very, very expensive, -anything over £5.00 is very, very, very expensive to daddy, so a house is monumentally -so) house in chichi East Legon -and even though you can flush the toilet (yippee…) -all the [human] waste will collect in a septic tank -where it will sit and gather -and you will add chemicals and it may stay for around five years -before a man who collects poop -will come and take it all away.” Mercy …Africa!!!

Well that was then -and this is now, and nothing much has changed.

Its sooo disheartening to know that due to the lack of infrastructural progress since our beloved Kwame Nkrumah’s rapid industrialization of Ghana, -that most of the new chichi houses/apartments/gated communities and some of those fancy houses in and around Accra -which are full of fashionable, elegant, well travelled people who are -honestly, -still sitting on top of their own shit!!! And you’ve got to laugh otherwise what is the alternative? Cry? Do something about? Get the government to do something about it? Really???

Sometimes I think about all those politicians sitting in their fefefe houses with their stinky septic tanks bubbling away underneath them -and wonder why they feel no shame???

Can you imagine having all that power in 2012? -All that access to your own nation’s GDP (their own personal bank accounts -they thinks) and the rest!! -Travelling the world, meeting other world leaders who go home to cities that are unaffected by power cuts, and houses that house toilets -that when flushed, -carries its waste -far, far away, down the sewer -to a civilised place where its treated. Can you image as a politician, eating the best food, wearing the most expensive [designer] clothes, strolling around your city, shopping in that one chic shopping mall, -calling yourselves ministers (ministers of what I wonder) -and having to go home to a house (I’m sure they are lovely and full of treasures) that isn’t connected to a sewer that carries your waste away to a sewage treatment plant, can you imagine? Nor can I!!!

 
******
P.s it just crossed my mind that there are some houses in the Tema area that are connected to a sewage system but as my son’s father just pointed out, -their [human] waste is going directly into the sea without any treatment …oh Ghana, oh oh Africa!!! One step forward, twenty steps back!!! But we will get there, we will make it.

 
Prompted by my need to find out more about sanitation or the lack off in Accra/Ghana -I stumbled upon the following via the
http://www.iwawaterwiki.org/ -website….

“The centre of Accra has a significant sewerage system, but this is currently non-functional. This was a World Bank-funded system completed in 1973, covering 1000 ha and including 28.5 km of sewers. In 1997, World Bank expert Albert Wright described this system as “a classic example of unaffordable services [for] prospective beneficiaries”, and states that the system never worked well “because of narrow and crooked streets and below-standard housing and plumbing”. Only 6.5% of the target of 2000 household connections was achieved. A UASB wastewater treatment plant (WWTP) was built to serve this network at James Town (Achimota) in 2000; on handover to the AMA the following year, it soon became dysfunctional, for reasons including low inflow and poor management; see Awuah & Abrokwa (2008) and Norman (2009). This plant is currently reported to be practically non-operational. Accra proper also has diverse other small sewerage systems, nearly all dysfunctional: notably systems in the Dansoman area and in the Legon area (university campus). There is also a sewerage system in Tema, constructed in the 1960s, and discharging to a lagoons-based wastewater treatment plant and then the sea; however, this system is likewise in a very poor state of repair, and the treatment plant is at present basically non-operational, with wastewater discharged directly to the sea (Awuah et al. 2008b).”

 

To read the rest of this report or to find out how Accra compares to other cities in Africa visit: http://www.iwawaterwiki.org/xwiki/bin/view/Articles/2%29+ACCRA+%28Ghana%29+3 -its such an eye opener!!!!!
 

Sunday, 4 November 2012

Time Out Accra 2012/13 issue is out now….

  Paulina Opoku-Gyimah says: I had no idea Time Out Accra still existed, -did you??? Still I’m really pleased that it does.. Anyway, the latest issue -2012/13 has just come out. Generously priced at £5.99 -it can be purchased via:
http://shop.timeout.com/accra-for-visitors-2012.html


More Info:
This fourth and special edition of Time Out's Accra for Visitors celebrates Ghana at 55 and is your essential guide to the best bars, finest restaurants, coolest shops and must-see sights in Ghana's thrilling capital. Time Out's team of local writers has scoured the city to reveal Accra's greatest hits and exciting hidden delights. When the city becomes too sticky, then our correspondents around the country have suggested the best beaches, national parks and trips out of town. Whether visiting for pleasure
business, on a budget or on an expenses account, Accra for Visitors 2012/2013 has it covered. Don't visit Ghana without it…

The Time Out Insiders’ Guide to Accra 2010 is available on the Time Out UK online store.

Contact: Sales & Reservations
Time Out Accra - The Sloane Company Ltd, Accra, Ghana
Tel: +233244090351/+233244090352
sales@timeoutaccra.com - www.timeoutaccra.com


 

Elle Editor's Must Pack For A Holiday in Northern Ghana



From lazy lake-side weekends to glamorous jaunts in the south of France, our editors tell you where they’re off to this summer—plus what they’re packing!



Krista Soriano, Associate Editor
I'm headed to a village in the northern part of Ghana near Tamale, where one of my best friends is a Peace Corps volunteer. Other than a safari at Mole National Park, the trip is less vacation and more experiencing a week's worth of her life in the African wilderness—mud huts, warthogs, you name it. Who's to say I'll get this chance again—and take it?





My friend's packing tip: Fit everything in a backpack. This one by Arc'teryx is perfectly practical, no bells or whistles. Taking my camera (a Nikon D60) for sure, an ironic read, a handkerchief for sweat drying, and these aviators.

Multi-purpose mesh backpack, Arc'teryx, $90; get it at arcteryx.com; Nikon D60 DSLR, $750; get it at amazon.com; Brave New World, $9; get it at amazon.com; metal aviators, BOSS, $98; get it at nordstrom.com




Knees are considered a very sexual part of a woman's body in Ghana, so they're kept covered at all times—especially in my friend's Muslim community. Forgoing capris, I'll rotate these maxiskirts with this tank. I forsee everything I wear accumulating a layer of dust, so I'll probably be stealing T-shirts from my friend. Fortunately, we're the same size, and as former college roomies, we're good at sharing.

Racerback tank, Madewell, $24; get it at madewell.com; tie-dye maxi skirt, Topshop, $98; get it at topshop.com; cotton maxi skirt with drawstring detail, All Saints, $69; get it at us.allsaints.com





This jersey maxidress is as comfortable as Western clothes will get in Ghana's 90-degree heat. Birkenstocks—also an easy choice. I'm a minimalist at heart, and I'm totally embracing that in Africa.

Jersey maxidress, Topshop, $55; get it at topshop.com; tobacco-oiled leather sandal, Birkenstock, $120; get them at birkenstock.com




At just above the equator, Ghana gets some serious sun. I'll need an oil-free sunscreen to protect my face and skin from sun poisoning and heat rash. I've heard sunburned lips are just annoying, so a lip balm with SPF is a no-brainer. And I won't be wearing makeup for a week (I will be wearing the locally made henna) because I'll be covered in sweat, so to keep cool, clean, and refreshed, these facial wipes are right for the job.

Neutrogena Ultra Sheer Liquid Sunblock with SPF 55, $13; get it at ulta.com; Carmex cherry lip balm jar with SPF 15, $2; get it at drugstore.com; Formula 10.0.6 Keep Me Clean Purifying Facial Wipes, $5; get it at ulta.com


Source: http://www.elle.com/life-love/travel/what-a-trip-571067?click=main_sr#slide-6

Paulina Opoku-Gyimah says: I love editorials like this one from Elle magazine because they make Ghana more real to the rest of the world....

 

Stylish Moment: June Sarpong and Topaz Page-Green





June Sarpong and founder of Lunchbox Fund Topaz Page-Green attend the 2012 Lunchbox Fund Book-fair auction at Del Posto on the 21st March 2012 in New York City.

 

 
Source: http://www.zimbio.com/pictures/TS4GkRqCfHh/2012+Lunchbox+Fund+Bookfair+Auction/MO6JAmKMvqo/June+Sarpong

Friday, 2 November 2012

Gold Coast Stamps.....

 

1891 Scott 15 2 1/2p blue & orange "Queen Victoria"
Quick History
With the defeat of the Ashanti in 1874, the British proclaimed the former coastal protectorate a crown colony, the Gold Coast Colony, on July 24,1874.

The Ashanti people were and are the major ethnic group of the Gold Coast (now Ghana), and established an empire in west Africa lasting from 1700-1896.

Ashanti Empire in the 19th Century
The peace treaty required that the Ashanti give up any claim to the coastal territory, and the British proclaimed a protectorate over the interior Ashanti kingdom. The British sphere of influence gradually expanded, and the Ashanti territory became part of the colony in 1901 after a final defeat.

Map of Gold Coast 1896
The Capital of the newly formed  Gold Coast Colony, between the French Colonies of Dahomey and the Ivory Coast, was moved to the former Danish castle at Christiansborg in Accra.  The population was 4,000,000 in 1942.

Cacao trees were introduced in 1878, and by 1950, more than half of the world's cocoa supply was exported from the Gold Coast. 

The export of Timber and Gold was also significant.

The first Gold Coast postage stamp issue occurred in July, 1875. 

1948 2 1/2p light brown & red "Position of Gold Coast"
Into the Deep Blue
The 2011 Scott Classic Specialized catalogue has 154 major description for stamps from 1875-1952. Of those, 81 are <$4 CV. "Affordability" Index is 53%.

A closer look at the stamps and issues

1884 Scott 13 1p rose & Scott 17 4p dull violet "Victoria"
Watermark "Crown & C A"
Between 1875-79, eight "Queen Victoria" design stamps were issued with watermark "Crown & C C". They had the same design as those illustrated above. Three have a CV of <$12, but I don't have any. ;-)

Of interest, a handstamp surcharged "1D" on a 4p red violet is listed as Scott 9 in the catalogue. There are supposedly 1-3 copies that exist. There is one in the British Museum. Some experts question the legitimate status of the stamp. In fact, SG mentions the stamp, but does not list it.

Between 1883-91, an eleven stamp issue was produced with a watermark "Crown & C A". The 1p and 4p are illustrated above.  Eight have a CV between $1+-$6+. Classic design.

1898-1902 Scott 26 1/2p lilac & green
watermarked "Crown & C A"
In 1898, another "Victoria" series was introduced as illustrated above. This ten stamp series has four stamps with a CV of <$1-$2+. Some of the colored numerals are on a colorless background tablet (2p,3p,6p).

Upper left: wmk 2 "Crown & C A"
Upper right: wmk 3 "Multiple Crown & C A"
Below: wmk 4 "Multiple Crown and Script C A"
Since we will be getting into watermark differences, here is a refresher pic of the relevant watermarks.
Generally with British colonies, it is important to ascertain the watermark.

1902 Scott 43 6p violet & purple & Scott 44 1sh green & black
King Edward VII: wmk 2
The King Edward VII issues were produced in 1902 with an eleven stamp bi-colored set. Five stamps have a CV between <$1-$4. These "Baldies" have wmk 2.

1904-07 Scott 51 2p violet & red orange
1905 Scott 53 3p violet & orange- these issues have wmk 3
Another seven stamp set of bi-colored "Baldies" was issued between 1904-07, all with wmk 3. Three are CV <$1-$2. Several stamps of this issue were produced as chalky paper varieties in 1906.

1907-13 Scott 59 2 1/2p ultramarine
Single color issue; all wmk 3
A ten stamp third set of "Baldies" was issued between 1907-13. The lower denominations are on ordinary paper, while the higher (3p and up) are found on chalky paper. They are easy to distinguish, as the stamps are single color, although the higher denominations are printed on colored paper. Seven stamps range from CV <$1-$3.

A different design for King Edward VII was produced in 1908 for the single 1p carmine (Scott 66). An illustration of this stampt heads the "Big Blue" section of the blog. The same design was used for the subsequent 1p "George V" issues.

1913-21 Scott 71 2p gray & Scott 74 6p dull violet & red violet
"King George V": Die I types; wmk 3
The Gold Coast colony is one of those that has both Die I and Die II varieties for the "George V" stamps. We will have a primer for Die I/Die II types later in the blog.

The 1913-21 "George V" design was a fourteen stamp issue, as illustrated above. They are characterized by wmk 3 and Die I types. Nine of the stamps range in CV from <$1-$3+.

1922 Scott 84 1p brown & 1925 Scott 90 1sh black/emerald
1921-25 issue; wmk 4(mostly), Die II
The second "George V" issue was produced between 1922-25, and had wmk 4 (Except for 15sh & £ 2), and Die II type. This thirteen stamp set has eight stamps between CV <$1-$4. Note the 1p design similar to the "Baldy" Scott 66.

Now, let's refresh our memory on the Die I/Die II differences...

1922 Scott 85 1 1/2p carmine Die II
1913-21 Scott 69 1/2d green Die I
Die I has the crown above King George V dropped down further into the solid background around George V compared to Die II. Also the solid background side panels for "POSTAGE" and "& REVENUE" on the top inside corners are "square" in Die I, and "diagonal" in Die II. There are other differences also.

Let's take a closer look...

Upper stamp differences Die II vs Die I
The differences are:
A) The Die II bottom of the crown (thick horizontal colored line) is even with the inner white line on either side of the crown. Note on Die I, the inner white line intercepts the crown above the bottom of the crown.

B) Thick horizontal middle (colored) line that intercepts the crown on either side of the crown is "squarer" in Die II; while "diagonal" in Die I.

C) The solid vertical background panel for "POSTAGE" and "& REVENUE" on the inside upper corners is  "diagonal"" in Die II while "squarer" in Die I.

Lower stamp difference Die II vs Die I
Observe the little curly-cue at the bottom outer edges of the design? Follow the little curly-cue up until it is vertical. There you will see a little nubbin come out on the outer side in Die I, but none in Die II. You may need to enlarge the image to see it well.

1928 Scott 100 1 1/2p scarlet & Scott 102 2 1/2p yellow
"Christiansborg Castle"
In 1928, a ten stamp set was produced as illustrated above. Six stamps are CV <$1. The formerly Danish Christiansborg Castle in Accra serves as the Capital building.

1938-41 Scott 121 6p rose violet "Christiansborg Castle"
Eight stamp design
In 1938, a series was issued as illustrated above. All the stamps are inexpensive. But this is one of my favorite stamp series for a personal reason. 

When I became interested in stamp collecting as a child, my Father gave me the red Scott "Modern" stamp album that was his. In it, I recall vividly this set for the Gold Coast. My Father must have bought this inexpensive series at some time. Since he was a child of the Depression, he did not spend frivolously. Yet there was this wonderful design to my eyes -MINT! 

He has passed away now some 20 years. But whenever I come upon these stamps, I think of my Father. :-)

1938-41 Scott 125 2sh dark violet & deep blue
The five higher valued denominations in the set are horizontal in format, as illustrated. CV ranges from <$1-$10.

1948 Scott 133 2p chocolate "Talking Drums"
Scott 137 6p orange & black "Cocoa Farmer"
Although the Scott Classic catalogue (and Deep Blue) cover up to 1952 for British Commonwealth, most of the stamps found for the British Colonies during 1945-52 are Omnibus series; such as the Peace issue, the Silver Wedding issue, and the UPU issue. Not real exciting.

Here, though, is a  twelve stamp series issued in 1948 that has local pictorial images.  Refreshing! The set ranges in CV from <$1-$7+.

Cocoa is an important export for the Gold Coast, so appropriate to see the farmer depicted here.

1948 Scott 135 3p blue "Manganese Mine"
Scott 138 1sh red orange & black "Breaking cocoa pods"
More images depicting local mining and the important cocoa industry. Extractive and low-tech, to be sure, but these stamps offer a glimpse into the ordinary life of the Gold Coast.

1951-52 Postage Due Scott J5 black /chalk surfaced paper
The original 1923 design was the same as shown above, except the 1951-52 stamps are on chalk surfaced paper.

1918 War Tax Scott MR1 1p scarlet
The war tax stamp is overprinted on a 1913-18 Scott 70a 1p scarlet, which has this interesting "George V" design. The design is similar to the 1p brown  "George V", and the 1p carmine "Edward VII" stamps.

Deep Blue
Deep Blue (Steiner) has ten pages for the Gold Coast. and I have stamps on all pages. The Steiner has all of Scott's major numbers represented, including the dubious Scott 9 discussed at the beginning of this section. Perhaps I could borrow the stamp from the British Museum to put there. ;-)

Of interest, the chalk surfaced 1951-52 Postage Due's (4 spaces) are not represented in the classic Steiner Gold Coast pages. Either they are in the full Steiner page set (probable), or they were missed by Steiner.

1908 Scott 66 1p carmine "King Edward VII"
Big Blue
Big Blue '69, on two pages, has 61 stamp spaces. Subtracting for the stamps issued after 1940, coverage is 46%.

Big Blue, as we all know, is a "representative" album. Nevertheless, it is still annoying when otherwise fine inexpensive stamps are not included. Here are the Gold Coast issues where BB cuts off 1-3 stamp spaces early...

Stamp series where BB could have included more stamps for a nominal CV include:
1884-91 (one-Scott 19)
1898 (two- Scott 30,31)
1907-11 (one-Scott 62)
1913-16 (two- Scott 75,76)
1921-15 (three- Scott 83,86,89)

Simple Checklist

1884-91
11,13,14,15,(17)

1898
26,27,

1902
38 or 49, 39 or 50, 40 or 51, 42 or 53, (43 or 54),(44),

1907-11
56,57,58,59,60,61,68

1913-16
69,70,71,72,73 or 81,74,

1921-25
84,85,87,88,(90),(91),

1928
98,99,100,101,102,103,104,(105),

1935
108,109,110,111,

Next Page

1937
112,113,114,

1938
115,116,117,118,119,120,
121,123,122,

War Tax stamp
1918
MR1

Postage Due
1923
J1,J2,J3,J4,


Comments
A) Most expensive stamps ($10 threshold)
1935 Scott 110 6p indigo & green "Silver Jubilee" ($10+)
1923 Postage Due Scott J1 1/2p black ($20)
B) (   ) around a stamp number indicates a blank space elective choice


1948 Scott 140 5sh gray & red violet "Surfboats"
Out of the Blue
Between the watermarking and Die I/II evaluations for the classic issues, and the Pictorials found in the later issues, the Gold Coast offers a lot: to say nothing about the exotic name and location.

Note: Maps appear to be in the public domain.
 
 
 

Abina and the Important Men: A Graphic History by Trevor R Getz and Liz Clarke...

 
 
Abina Mansah is a young West African woman living in the British Gold Coast Colony (now Ghana) in 1876. After escaping to the town of Cape Coast, she accuses Quamina Eddoo of purchasing and holding her as a slave. Britain outlawed slavery in the Empire in 1833 and an act of enslavement is in contravention of the "Gold Coast Slave-dealing Abolition Ordinance, 1874" so judicial assessor William Melton feels it his duty to take the case to trial. Abina is in no danger of being returned to slavery but pursues the case because she wants to be heard.

The collaborator's took the transcript of that trial and created a compelling graphic history of Abina's story. Supplementing the trial transcript, Getz (the author) constructed a plausible background for Abina as well as the events that gave her freedom and demand for justice. Clarke (the illustrator) brought the story to life with her well researched and striking illustrations. Look at the cover (right), Abina standing defiant with the "important men" (Melton, Eddoo, defense attorney, advisors called by Melton) with their backs to her. Strong stuff.

The book could have stood with just the graphic history and the actual transcript but it goes much farther and in a direction that will have me returning to it later. Following the transcript Getz points out that he and Clarke have created an historicization or historical narrative placed in the context of the time and place in which it is set. There are questions that need to be asked and he sums up the challenge he and Clarke faced:
Like many others who interpret the past, we have strived to create a representation that is reasonable accurate, authentic to the experiences and perspectives of the individuals represented, and useful to our audience. How did we turn the short primary source into a longer interpretation that tried to meet these criteria? How can we know whether our account of the events surrounding Abina Mansah's day in court is a reasonably accurate and useful interpretation? How can you, the reader, trust the work we have produced? (italics are mine)
 Part III establishes the historical context by describing the area with its peoples, languages, social structures, the effects of European involvement, and importantly, the British approach to its civilizing mission, ie what did Britain see as its responsibility to the inhabitants.

Part IV, Reading Guide is fascinating and is the part I will be rereading several times. Here Getz shows us how a historian works. In the Reading Guide are the
issues of philosophy, ethics, and methods that we faced in turning a document from 1876 into a graphic history in 2011. In the following pages, we grapple with three questions: whose story is this? Is it a true story? Is it an authentic story?
 
Getz goes into the pitfalls or writing history, the inevitable biases that color the narrative, the problems interpreting past events through modern sensibilities that might ascribe motivations differing from those who lived the events. He gives us a good summary of the philosophy behind the approaches that historians have to consider when writing history.

Part IV has made me think about current events in the U.S., the current political turmoil and the seemingly insurmountable philosophical divide on the intention of the constitution and the responsibilities of government. What will future historians do with the vast amount of print, digital, and media material that survives? I look at this section for insights how historians look at us and write our history.

Abina and the Important Men is a very adaptable book in that it is suitable for a variety of audiences. Obviously it appeals to me and I appreciate the intellectual challenge of understanding how history is recorded. I wouldn't hesitate to give it to a young person interested in history. The graphic history is good hook. It could also be used in high school and college courses. Part V gives suggestions how Abina could be used in the classroom.

The books includes maps that are a great help in visualizing the setting of the story.

I highly recommend Abina and the Important Men. It has an interesting story to tell and is intellectually stimulating. I wish I had a niece or nephew old enough to appreciate it.

Trevor R. Getz is Professor of History at San Francisco State University.
Liz Clarke is a professional artist and graphic designer in Cape Town, South Africa.
 
Source: http://www.africascreams.com/2011_12_01_archive.html
 
 
 
Paulina Opoku-Gyimah says: I'm going to find out more about Abena...will keep you posted...
 

Ghana Rising Hearts Bola







 

If its possible to fall in love with a voice -then I’m a gone-r over Bola!!! Uber new to Ghana Rising’s radar, northern Ghanaian musician Bola’s King Ayisoba’s stylee with a twist -has me wanting more…

Looking for info about Ghana Rising fave, Kae Sun, I stumbled across Bola’s music on the Okay Africa website -and I’m now predicting that Bola is Music’s next big thing!!!!!

I’m afraid I don’t know much about Bola but I'll find out more and keep you posted.… in the meantime, -do let me if you have more information on this exciting artist…

 
Anyway I saw the following info on the truly fabulous, must-visit-daily ‘Awesome Tapes’ website:
 Listen to the track "Abayetidu Ma" from the forthcoming Awesome Tapes From Africa release by Bola. He is a singer and instrumentalist from Bolgatanga, Ghana who has been putting out tape after tape of ridiculously energetic and thoughtful songs for the last few years. I almost died when I heard this Volume 7 tape for the first time. Bola's intense Frafra-language vocals, along with his shredding kologo—a two-stringed lute—boosted by bass-heavy, angular keyboard melodies and dance floor-ready drums. I am fascinated by Bola's take on a traditional instrument and musical style. Look out for this release in early April on LP/CD/MP3/limited edition cassette.
Source: http://www.awesometapes.com/

Also visit:
https://www.facebook.com/awesometapesfromafrica

 

To read about him on Okay Africa visit:
http://www.okayafrica.com/2012/01/13/bola-north-ghanas-kologo-virtuoso/ -it’s a fabulous website -full of must-read pieces about cutting edge African artists -a must read me thinks….

Also check out http://www.youtube.com/watch?v=cM-yAL9YOP8