Saturday, 5 October 2013

Objects of Desire: Kente CC Chale unisex t-shirts by Allen & Fifth





Paulina says: I just stumbled upon the above photo of what can only be described as the must have t-shirt of the season via the FASHIZBLACK Facebook fan page of a couple of black t-shirts with a sort of Chanel logo created out of Kente with the word Chale underneath by a new fashion label Allen & Fifth --and just had to share…they are fabulous and a reasonable $25 each….

For more info or to purchase the above CC Kente Chale t-shirts by Allen & Fifth visit: http://www.allenandfifth.com/
https://www.facebook.com/allenandfifth

 

Ghana Fashion Week 2013" Memoirs of a Woman" Editorial Concept –Vogue Black…..




 
 
 
 
 




EDITORIAL CREDITS
CREATIVE DIRECTOR/ STYLIST  – DARYL RITA OSEKREH
PHOTOGRAPHY – MASATOSHI HAMANOI
HAIR STYLIST – CHARLOTTE MENSAH
MAKE-UP – GRAZIELLA VELLA
MODELS: SORI MATOS & ASTRID CABALLERO

 
The campaign themed Memoirs of a woman takes inspiration from the movie Memoirs of a Geisha, creating an editorial that tells a story of a woman depicting elements of a modern Geisha in a mood that is sensitive, serene and graceful.

A Victorian urban park in London - Myatt Fields, designed by Britain’s first professional woman landscape gardener Fanny Rollo Wilkinson serves as the perfect backdrop for the editorial camping emulating scenes from the movie, shot by Masatoshi Hamanoi and directed by creative director Daryl Rita Osekreh.

Through this campaign creative director Daryl Rita Osekreh, brings Ghanaian creative talents once again to the forefront, and placing it in a global space by mixing creativity and talents from different parts of the world as a source of inspiration to tell an engaging fashion story inspired by the art and sensitivity of a traditional Geisha woman.

Translated with simplicity, the editorial is set in a thoughtful and delicate mood in collaboration with celebrity Hair Stylist of Ghanaian descent Charlotte Mensah and Mifani Shoes by Audrey Mifani. Photographer Masa Hamanoi sensitively captures models in delicate long printed silk garments, and bright orange and cobalt blue printed Kimono inspired dress by Russian designer duo Xsenia & Olya. In another set Model is captured in an elegant long cherry red dress, and in a navy blue silk dress printed with pastiche of blue hearts mimicking cherry blossoms by Beulah London.

Make-Up Artist Graziella Vella subtly approaches make-up throughout the story using the symbolic red colour as the main colour for the lips. Models eyes are defined with simple black lines, creating a Memoirs of a Woman embodies the art of creativity, sensitively told by exploring the freedom of fashion expression through the work of creative women of different backgrounds in a global space.

 

VOGUE ITALIA Releases "MEMOIRS OF A WOMAN" an Editorial Concept by GFDW 2013. The Inspirational Pre-Event Editorial Campaign is exclusively released by GFDW 2013 International Media Partner VOGUE ITALIA….

***Omygoodness Ghana Fashion & Design Week is just around the corner and I can’t wait –can you? For more info or tickets visit: http://www.ghanafashiondesigndesignweek.com

http://www.facebook.com/Ghanafashionweek
http://www.twitter.com/ghanafashionwk(#GFDW)

Made-in-Ghana fashion accessories label MSimps’ founder Mabel Simpson is featured on BBC’s Africa News……


 
 
From Ghana to the world's catwalks 4 October 2013 Last updated at 19:19 BST

It has been a good year for the African fashion industry, with successful shows putting African designs in the spotlight in cities such as London and New York.

Back on the continent, many fashion designers hope to take their labels to catwalks around the world.

One of them is Mabel Simpson, whose "Made-in-Ghana" accessories are sold in the US, Australia, Nigeria and South Africa.

Paulina says: So pleased to see Ghana based fashion accessories label MSimps’ founder Mabel Simpson featured on the BBC. She was eloquent and to the point, helping not just to put her own brand on the map but also Ghana’s growing fashion industry. I wish her the best. Anyway, Ms Simpson told the BBC her story via a film at: http://www.bbc.co.uk/news/world-africa-24406172

 For more info about Mabel Simpson’s accessories label MSimps visit: https://www.facebook.com/msimpsghana

Friday, 4 October 2013

A must Read: The Akan Diaspora in the Americas by Kwasi Konadu







“In his groundbreaking study of the Akan diaspora, Kwasi Konadu demonstrates how this cultural group originating in West Africa both engaged in and went beyond the familiar diasporic themes of maroonage, resistance, and freedom. Between the sixteenth and nineteenth centuries, the Akan never formed a majority among other Africans in the Americas. But their leadership skills in war and political organization, efficacy in medicinal plant use and spiritual practice, and culture archived in the musical traditions, language, and patterns of African diasporic life far outweighed their sheer numbers. Konadu argues that a composite Akan culture calibrated between the Gold Coast and forest fringe made the contributions of the Akan diaspora possible. The book examines the Akan experience in Guyana, Jamaica, Antigua, Barbados, former Danish and Dutch colonies, and North America, and how those early experiences foreground the modern engagement and movement of diasporic Africans and Akan people between Ghana and North America. Locating the Akan variable in the African diasporic equation allows scholars and students of the Americas to better understand how the diasporic quilt came to be and is still evolving.”

To order a copy of The Akan Diaspora in the Americas visit Amazon via:  http://www.amazon.com/Akan-Diaspora-Americas-Kwasi-Konadu/dp/0199922853

The Akan Diaspora in the Americas by Kwasi Konadu
Oxford University Press, USA; Reprint edition (April 27, 2012)

Forbes launches it much anticipated ‘Forbes Life Africa’ glossy…..


Alek Wek on the cover of the first issue of Forbes Africa……..

 
“Forbes Life Africa opens up a new platform for debate and expression on the rich stories of everything from lifestyle and sports to the arts. From cigar lounges in Nairobi and music for the masses to the millionaire as a consumer, the publication will highlight the continent’s wealth, youth, action and vitality.” Forbes Life Africa

 
Paulina says: Who can forget that issue of Forbes Africa with our very own Sam Jonah on the cover? Well they’ve done it again, –they have launched what I consider to be the best in their franchise –the lifestyle version of Forbes Africa – the Forbes Life Africa glossy which features one of my all-time favourite models, Sudanese beauty Alek Wek as its first cover stars (she is in my humble opinion the perfect model for this first issue)…

As you all know I’m as nosy as ever and I’m trying to find out the editor of this prestigious glossy and will urge real high-end model agencies in Ghana to get in touch with its fashion director/commissioning editor and send your model comps to said publication –as its soooo lovely to have another magazine that’s poised to celebrate African/black models and African lifestyle brands and beyond.

For those with high-end fashion/beauty/luxury services it time to start sending your professional press releases to this fabulous global platform….

For more info visit: http://www.forbesafrica.com/
https://www.facebook.com/forbes.africa

 
P.s   You can watch Sudanese beauty Alek Wek behind the scenes at New York Fashion Week with the newly launched Forbes Life Africa via YouTube at: https://www.youtube.com/watch?feature=player_embedded&v=txDnlEhCiJI

Object of Desire: Bronze Anklet from the Kasena People in Ghana



 






Ghana - 20th century

(Price upon application)


http://www.1stdibs.com/
https://www.facebook.com/1stdibs


Paulina says: I’m wondering ………where did these owners buy our treasures from? Which of our chiefs sold this beautiful anklet? Or were they stolen by our colonial masters? Who is selling ‘our’ family china? Do we have any of these treasures still left in Ghana –if not it’s time to start authenticating and start buying them back!!!

Fabled Akan Characters: Oronoko by Aphra Behn




Oronoko is a short work of prose fiction by Aphra Behn (1640–1689), published in 1688, concerning the love of its hero, an enslaved African in Surinam in the 1660s, and the author's own experiences in the new South American colony. Oronoko: or, the Royal Slave is a relatively short novel concerning the grandson of a Coromantin African king, Prince Oronoko, who falls in love with Imoinda, the daughter of that king's top general.

The king, too, falls in love with Imoinda. He gives Imoinda the sacred veil, thus commanding her to become one of his wives, even though she has already married Oronoko. After unwillingly spending time in the king's harem (the Otan), Imoinda and Oroonoko plan a tryst with the help of the sympathetic Onahal and Aboan. They are eventually discovered, and because she has lost her virginity, Imoinda is sold as a slave. The king’s guilt, however, leads him to falsely inform Oroonoko that she has been executed, since death was thought to be better than slavery. Later, after winning another tribal war, Oronoko is betrayed and captured by an English captain, who plans to sell him and his men as slaves. Both Imoinda and Oronoko are carried to Surinam, at that time an English colony based on sugarcane plantation in the West Indies. The two lovers are reunited there, under the new Christian names of Caesar and Clemene, even though Imoinda's beauty has attracted the unwanted desires of other slaves and of the Cornish gentleman, Trefry.

Upon Imoinda’s pregnancy, Oroonoko petitions for their return to the homeland. But after being continuously ignored, he organizes a slave revolt. The slaves are hunted down by the military forces and compelled to surrender on deputy governor Byam's promise of amnesty. Yet, when the slaves surrender, Oroonoko and the others are punished and whipped. To avenge his honor, and to express his natural worth, Oroonoko decides to kill Byam. But to protect Imoinda from violation and subjugation after his death, he decides to kill her. The two lovers discuss the plan, and with a smile on her face, Imoinda willingly dies by his hand. A few days later, Oroonoko is found mourning by her decapitated body and is kept from killing himself, only to be publicly executed. During his death by dismemberment, Oroonoko calmly smokes a pipe and stoically withstands all the pain without crying out.



Models for Oroonoko
There were numerous slave revolts in English colonies led by Coromantin slaves. Oroonoko was described as being from "Coromantien" and was likely modelled after Coromantin slaves who were known for causing several rebellions in the Caribbean.

One figure who matches aspects of Oroonoko is the white John Allin, a settler in Surinam. Allin was disillusioned and miserable in Surinam, and he was taken to alcoholism and wild, lavish blasphemies so shocking that Governor Byam believed that the repetition of them at Allin's trial cracked the foundation of the courthouse.[4] In the novel, Oroonoko plans to kill Byam and then himself, and this matches a plot that Allin had to kill Lord Willoughby and then commit suicide, for, he said, it was impossible to "possess my own life, when I cannot enjoy it with freedom and honour".[5] He wounded Willoughby and was taken to prison, where he killed himself with an overdose. His body was taken to a pillory,

"where a Barbicue was erected; his Members cut off, and flung in his face, they had his Bowels burnt under the Barbicue… his Head to be cut off, and his Body to be quartered, and when dry-barbicued or dry roasted… his Head to be stuck on a pole at Parham (Willoughby's residence in Surinam), and his Quarters to be put up at the most eminent places of the Colony."

Allin, it must be stressed, was a planter, and neither an indentured nor enslaved worker, and the "freedom and honour" he sought was independence rather than manumission. Neither was Allin of noble blood, nor was his cause against Willoughby based on love. Therefore, the extent to which he provides a model for Oroonoko is limited more to his crime and punishment than to his plight. However, if Behn left Surinam in 1663, then she could have kept up with matters in the colony by reading the Exact Relation that Willoughby had printed in London in 1666, and seen in the extraordinary execution a barbarity to graft onto her villain, Byam, from the man who might have been her real employer, Willoughby.

While Behn was in Surinam (1663), she would have seen a slave ship arrive with 130 "freight," 54 having been "lost" in transit. Although the African slaves were not treated differently from the indentured servants coming from England (and were, in fact, more highly valued), their cases were hopeless, and both slaves, indentured servants, and local inhabitants attacked the settlement. There was no single rebellion, however, that matched what is related in Oroonoko. Further, the character of Oroonoko is physically different from the other slaves by being blacker skinned, having a Roman nose, and having straight hair. The lack of historical record of a mass rebellion, the unlikeliness of the physical description of the character (when Europeans at the time had no clear idea of race or an inheritable set of "racial" characteristics), and the European courtliness of the character suggests that he is most likely invented wholesale. Additionally, the character's name is artificial. There are names in the Yoruba language that are similar, but the African slaves of Surinam were from Ghana.

Instead of from life, the character seems to come from literature, for his name is reminiscent of Oroondates, a character in La Calprenède's Cassandra, which Behn had read. Oroondates is a prince of Scythia whose desired bride is snatched away by an elder king. Previous to this, there is an Oroondates who is the satrap of Memphis in the Æthiopica, a novel from late antiquity by Heliodorus of Emesa. Many of the plot elements in Behn's novel are reminiscent of those in the Æthiopica and other Greek romances of the period. There is a particular similarity to the story of Juba in La Calprenède's romance Cléopâtre, who becomes a slave in Rome and is given a Roman name—Coriolanus—by his captors, as Oroonoko is given the Roman name of Caesar.

Alternatively, it could be argued that "Oroonoko" is a homophone for the Orinoco River, along which the English settled, and it is possible to see the character as an allegorical figure for the mismanaged territory itself. Oroonoko, and the crisis of values of aristocracy, slavery, and worth he represents to the colonists, is emblematic of the new world and colonisation itself: a person like Oroonoko is symptomatic of a place like the Orinoco.

Slavery and Behn's attitudes
The colony of Surinam began importing slaves in the 1650s, since there were not enough indentured servants coming from England for the labour-intensive sugar cane production. In 1662, the Duke of York got a commission to supply 3,000 slaves to the Caribbean, and Lord Willoughby was also a slave trader. For the most part, English slavers dealt with slave-takers in Africa and rarely captured slaves themselves. The story of Oroonoko's abduction is plausible, for such raids did take place, but English slave traders avoided them where possible for fear of accidentally capturing a person who would anger the friendly groups on the coast. Most of the slaves came from the Gold Coast, and in particular from modern-day Ghana.

 
For more info about Oroonoko by Aphra Behn visit: http://en.wikipedia.org/wiki/Oroonoko